Wednesday, October 9, 2013

Ode to Fallbreak...

Homework: Write a three stanza "Ode to..." anything!

(Minimum 4 lines per stanza - thus 3x4 =12 lines)

Please type and print your Ode.


It need not rhyme.

Consider juxtaposing imagery.

Be mindful of enjambment.

Use figurative language.

Consider diction and the sounds of words - alliteration, assonance, and consonance.


See more examples of Odes below.
Feel free to Google Odes for more inspiration.


"Introduction to Poetry
BY BILLY COLLINS
I ask them to take a poem   
and hold it up to the light   
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem   
and watch him probe his way out,

or walk inside the poem’s room   
and feel the walls for a light switch.

I want them to waterski   
across the surface of a poem
waving at the author’s name on the shore.

But all they want to do
is tie the poem to a chair with rope   
and torture a confession out of it.

They begin beating it with a hose   
to find out what it really means.




What is an Ode?

Can you write an Ode?

Ode to Socks
by Pablo Neruda

Mara Mori brought me
a pair of socks
which she knitted herself
with her sheepherder's hands,
two socks as soft as rabbits.
I slipped my feet into them
as if they were two cases
knitted with threads of twilight and goatskin,
Violent socks,
my feet were two fish made of wool,
two long sharks
sea blue, shot through
by one golden thread,
two immense blackbirds,
two cannons,
my feet were honored in this way
by these heavenly socks.
They were so handsome for the first time
my feet seemed to me unacceptable
like two decrepit firemen,
firemen unworthy of that woven fire,
of those glowing socks.

Nevertheless, I resisted the sharp temptation
to save them somewhere as schoolboys
keep fireflies,
as learned men collect
sacred texts,
I resisted the mad impulse to put them
in a golden cage and each day give them
birdseed and pieces of pink melon.
Like explorers in the jungle
who hand over the very rare green deer
to the spit and eat it with remorse,
I stretched out my feet and pulled on
the magnificent socks and then my shoes.

The moral of my ode is this:
beauty is twice beauty
and what is good is doubly good
when it is a matter of two socks
made of wool in winter. 


More examples of Odes

Tips for writing an Ode Poem

Tuesday, October 8, 2013

Poetry by Carver, Walker, and Updike



HWK:

Please read and enjoy the following poems:


Waiting

by Raymond Carver

Left off the highway and
down the hill. At the
bottom, hang another left.
Keep bearing left. The road
will make a Y. Left again.
There's a creek on the left.
Keep going. Just before
the road ends, there'll be
another road. Take it
and no other. Otherwise,
your life will be ruined
forever. There's a log house
with a shake roof, on the left.
It's not that house. It's
the next house, just over
a rise. The house
where trees are laden with
fruit. Where phlox, forsythia,
and marigold grow. It's
the house where the woman
stands in the doorway
wearing the sun in her hair. The one
who's been waiting
all this time.
The woman who loves you.
The one who can say,
"What's kept you?"



Happiness

By Raymond Carver

So early it's still almost dark out.
I'm near the window with coffee,
and the usual early morning stuff
that passes for thought.
When I see the boy and his friend
walking up the road
to deliver the newspaper.
They wear caps and sweaters,
and one boy has a bag over his shoulder.
They are so happy
they aren't saying anything, these boys.
I think if they could, they would take
each other's arm.
It's early in the morning,
and they are doing this thing together.
They come on, slowly.
The sky is taking on light,
though the moon still hangs pale over the water.
Such beauty that for a minute
death and ambition, even love,
doesn't enter into this.
Happiness. It comes on
unexpectedly. And goes beyond, really,
any early morning talk about it.




Desire
My desire
is always the same; wherever Life
deposits me:
I want to stick my toe
& soon my whole body
into the water.
I want to shake out a fat broom
& sweep dried leaves
bruised blossoms
dead insects
& dust.
I want to grow
something.
It seems impossible that desire
can sometimes transform into devotion;
but this has happened.
And that is how I've survived:
how the hole
I carefully tended
in the garden of my heart
grew a heart
to fill it.

Returning Native

BY JOHN UPDIKE
What can you say about Pennsylvania
in regard to New England except that
it is slightly less cold, and less rocky,
or rather that the rocks are different?
Redder, and gritty, and piled up here and there,
whether as glacial moraine or collapsed springhouse
is not easy to tell, so quickly
are human efforts bundled back into nature.

In fall, the trees turn yellower—
hard maple, hickory, and oak
give way to tulip poplar, black walnut,
and locust. The woods are overgrown
with wild-grape vines, and with greenbrier
spreading its low net of anxious small claws.
In warm November, the mulching forest floor
smells like a rotting animal.

A genial pulpiness, in short: the sky
is soft with haze and paper-gray
even as the sun shines, and the rain
falls soft on the shoulders of farmers
while the children keep on playing,
their heads of hair beaded like spider webs.
A deep-dyed blur softens the bleak cities
whose people palaver in prolonged vowels.

There is a secret here, some death-defying joke
the eyes, the knuckles, the bellies imply—
a suet of consolation fetched straight
from the slaughterhouse and hung out
for chickadees to peck in the lee of the spruce,
where the husks of sunflower seeds
and the peace-signs of bird feet crowd
the snow that barely masks the still-green grass.

I knew that secret once, and have forgotten.
The death-defying secret—it rises
toward me like a dog’s gaze, loving
but bewildered. When winter sits cold and black
on Boston’s granite hills, in Philly,
slumped between its two polluted rivers,
warmth’s shadow leans close to the wall
and gets the cement to deliver a kiss.

Saturday, October 5, 2013

Prepare for your Short Story Test - TUESDAY!

Videos of the presentations today:

Z Block Review

F Block Review Part I

F Block Review Part II






This Tuesday, October 8th...

Both FORM III sections will have a TEST on the short stories.

Test Format:

Part I: Author’s biography: Name that author
 Match the author to the short story title plus any significant details, quotes, etc.

Part II.  Quote Identification: Who said that? 
 Short quotes from the six stories; there will be a list of characters to help your cause.

Part III. Passage analysis and annotation of six passages: identify the story, the speaker, the audience, and annotate (underline and identify) any significance in terms of themes, symbolism, figurative language, tone, irony, or style.

Part IV: Write a paragraph about one of the passages above. Be sure to incorporate quotes from the text in your paragraph. We will review paragraphs on Monday!

Paragraph outline:

1. Topic sentence.
2. Set up quote properly.
3. Embed quote correctly.     

Ex. with a question mark: 
Connie says, "Hey, how old are you?"(590).

Ex. with a period: 
Arnold replies, "Or maybe a coupla years older, I'm eighteen"(590).

4. Paraphrase and analyze.

5. Set up a second quote.
6. Embed quote.
7. Paraphrase and analyze.

(You may wish to incorporate a third if it is relevant - repeat steps 2, 3,4)
8. Conclusion.

Short Story Study Guide! See our Form III GoogleSite: 


https://sites.google.com/a/episcopalacademy.org/obrienenglish/home/class1/short-stories

There you will find student notes on attached WORD doc.


Just for fun - a quote:

“If we're lucky, writer and reader alike, we'll finish the last line or two of a short story and then just sit for a minute, quietly. Ideally, we'll ponder what we've just written or read; maybe our hearts or intellects will have been moved off the peg just a little from where they were before. Our body temperature will have gone up, or down, by a degree. Then, breathing evenly and steadily once more, we'll collect ourselves, writers and readers alike, get up, "created of warm blood and nerves" as a Chekhov character puts it, and go on to the next thing: Life. Always life.” 
― Raymond CarverCall If You Need Me: The Uncollected Fiction and Other Prose

Wednesday, October 2, 2013

Raymond Carver's "Cathedral"

Full text of Raymond Carver's "Cathedral"


Raymond Carver 1984





























"No tricks." He says. "Period. I hate tricks." Experimentation, as Carver goes on to say, is too often "a licence to be careless, silly or imitative."



Carver's 1981 essay "On Writing".
Get in, get out. Don't linger. Go on. It could be that I lost any great ambitions at about the same time, in my late 20's. If I did, I think it was good it happened. Ambition and a little luck are good things for a writer to have going for him. Too much ambition and bad luck, or no luck at all, can be killing. There has to be talent.

Paris Review Interview - excerpt from introduction:

           Carver works in a large room on the top floor. The surface of the long oak desk is clear; his typewriter is set to the side, on an L-shaped wing. There are no knicknacks, charms, or toys of any kind on Carver's desk. He is not a collector or a man prone to mementos and nostalgia. Occasionally, one manila folder lies on the oak desk, containing the story currently in the process of revision. His files are well in order. He can extract a story and all its previous versions at a moment's notice. The walls of the study are painted white like the rest of the house, and, like the rest of the house, they are mostly bare. Through a high rectangular window above Carver's desk, light filters into the room in slanted beams, like light from high church windows.
            Carver is a large man who wears simple clothes—flannel shirts, khakis or jeans. He seems to live and dress as the characters in his stories live and dress. For someone of his size, he has a remarkably low and indistinct voice; we found ourselves bending closer every few minutes to catch his words and asking the irritating “What, what?”

When asked why he wanted to be a writer,  he replies:

I wrote a longish thing about the fish that got away, or the fish I caught, one or the other, and asked my mother if she would type it up for me. She couldn't type, but she did go rent a typewriter, bless her heart, and between the two of us, we typed it up in some terrible fashion and sent it out. I remember there were two addresses on the masthead of the outdoors magazine; so we sent it to the office closest to us, to Boulder, Colorado, the circulation department. The piece came back, finally, but that was fine. It had gone out in the world, that manuscript—it had been places. Somebody had read it besides my mother, or so I hoped anyway.

Carver experiences a thrill in sending his writing out into the world - to an audience, a reader, beyond his mother. To move the world through writing can be empowering and exhilarating.


Documentary on Raymond Carver:



Tuesday, October 1, 2013

Read "Sweat" by Zora Neale Hurston

Here's a link to hyperlink-annotated "Sweat" by Zora Neale Hurston.

Alice Walker rediscovered Hurston and wrote an essay "In Search of Zora Neale Hurston" about her research into the work of Hurston. The essay was later republished in her book as a chapter titled "Looking for Zora".


For what it's worth I have included a post that I shared last year while teaching American Literature to juniors:

It's been a few years since I've taught Zora Neale Hurston's novel Their Eyes Were Watching God - perhaps one of the most beautiful novels I've ever read. I remember reading it in high school. Some moments are still so clear, yet I confess that I missed the depth of most of it. I was too young to have those relationships in life that literature requires. It's in second readings, once we know the end... And second readings later in life, when we know ourselves a little better than when we were young and figuring ourselves out, who we are, in life.

In listening to this video, clip of Alice Walker reading - my eyes glistened as she read the end of the novel. The line, "The kiss of his memory made pictures of love and light against the wall. Here was peace." It resonated in a new way, reminding me of my brother - and other loved ones who have passed. Love is never lost with sweet memories that still offer solace - still living in memory.


I've said it before, and I will continue to say it, I hope you will consider reading these novels that we read in Junior English later in life, once you have loved and lost, and pulled yourself up from the pain and heartache to love again.





Monday, September 30, 2013

Alice Walker's "Everyday Use"






For Homework, read "Everyday Use" (455-461) and watch the film version of "Everyday Use"

Be prepared to compare and contrast the short story and the film.




More on Alice Walker:

Alice Walker's Website

Featured on Biography

Friday, September 27, 2013

Quiz and Vocab Due on Monday - A-D plus read E

Also as promised, my story...[Second draft; edited Saturday morning]


The Sullivan Brothers in Jail: A Lesson Learned
            To this day, my mother tells the story from time to time at family dinners to my chagrin. However she likes to believe it was the Travelli brothers that corrupted us, making us vandals, and I may have helped her in that belief. Jamie Travelli was in second grade with my brother Billy while Johnny at ten was a year younger than me. Colin, my youngest brother, was an accomplice at only four years old. Their parents spoiled them rotten with video games and toys, so Billly especially liked to play at their house.  And we appreciated that their cabinets were full of food and the best junk food and bags of candy. My mother’s trepidation for our visits at the Travelli's was not unfounded. Their father drank early in the afternoon and smoked in the house. At times, he'd yell at the boys or Mrs. Travelli or on the phone in his office at home and we wondered what he did for a living - to be home so often and so early - especially since he drove a new black Cadillac while Mrs. Travelli looked beautiful in her silver Mercedes convertible. She was much younger than him and a relatively younger mom who let her boys run wild (but I don't think she had a choice).  She was kind yet always seemed sad.
One day for a change, we invited the Travelli boys over to play. We may or may not have asked my parents for permission, but regardless, Mrs. Travelli dropped Johnny and Jamie off at our house and flew down our drive without even a conversation with our parents. Just a wave over her shoulder, with the top down in the Mercedes, and a “See you later!”
Johnny had dark brown wavy hair while young Jamie had blond ringlets of hair and a particularly devilish smile that contrasted with his cherubic face. Without video games to play with inside, we headed out to the backyard to the fort that we had started with previously stolen wood from the abandoned house beyond the lot of land for sale.
The old house’s lawn was as high as my hips and the hedges shielded the windows growing as tall as the first floor. Its paint peeled and flaked and green weeds grew from the gutters like window boxes. We assumed no one cared and no one would miss some wood and tools left behind.  Finders keepers - and it was ours for the taking.
After roaming the house with Johnny and Jamie, the five of us filled our arms with supplies. Even four year old Colin was loaded up with stolen goods. Outside the house, Johnny said we should steal the old pickup truck to haul our loot to the fort. While stealing wood was one thing, stealing a car made my stomach turn. Despite the fantasy of the house being abandoned, I knew right from wrong, and even guessed that the house was being slowly renovated. It had to belong to someone, but I managed to rationalize the wood as being so plentiful, no one would miss it, and we would return the tools when done. The car on the other hand...
“Let’s leave the car alone. Besides, it has a flat tire,” I said.
“So what?” said Johnny.
“So what?” chirped Jamie.
“We are just going to drive it to the fort.”
All eyes were on me as the oldest. Billy wanted to do whatever Jamie did. And Johnny was eager to checkout the old truck.
“Let’s take a look. I bet it’s locked,” I said.
We lugged our stuff to the truck. I tried the passenger door first.
“Locked,” I said with feigned disappointment.
Johnny ran around to the other side. It too was locked.
“Let’s go.” I was eager to get back to our fort like bank robbers that were wasting time in the vault.
Then eight year old Jamie hopped into the flat bed. With a primal war cry, he raised the two-by-four like a batter and smashed the sliding rear window of the truck’s cab. Billy looked to me. Our jaws dropped.
“Uh-oh!” said Colin.  A line had been crossed, one acknowledge by even a four year old.
Within a minute, Jamie released the rear window’s lock and weaseled his narrow shoulders and lean frame through the now open window. He popped the locks to the doors which Johnny and I opened. We searched for a spare key in the obvious places - the visor, the glove box, and under the floor mat. Johnny and I discussed hotwiring the car like they did on TV shows like the A-Team. We tried to pull out the radio, thinking we could sell it, like crooks at a pawn shop, but we lived nowhere near a city nor a pawn shop. After our failed attempts, we decided it was best to wipe it down for fingerprints or burn the evidence. I argued against burning it, for fear of starting a fire that would attract attention. So I hastily wiped it down with visions of cop shows dancing in my head.
“Let’s smash it,” screamed Jamie. The line had already been crossed. He sensed my hesitation. Part of me wanted to demo the car. Jamie jumped onto the roof of the truck’s cab with two-by-four in hand. Like a samurai, he raised it over his head and smashed the front windshield. He laughed and laughed. Jason picked up another two-by-four and swung for the fences, taking out the front headlights. Jamie’s laughing made Billy laugh and Colin started clapping. Johnny ran around to the back where I was standing.
            “Stop!” I yelled. I ripped the wood beam from his grasp.


“My turn.” Everyone cheered as I teed off on the tail lights. And I admit it was gratifying while my heart was pounding.
“We gotta go,” I said. Fear gripped me as I came back to reality.
“No!” said Johnny. “We are just starting to have fun.”
Billy wanted a turn and I pushed him away, not letting him have the two-by-four. He begged for a wack since everyone else had a chance.
I looked up to see that Jamie was now on the hood of the car. He had opened a gallon of paint that we had taken from the house and proceeded to pour it over the roof of the cab and the broken windshield. All the while he and his brother laughed hysterically. Billy and I stopped wrestling over the two-by-four. Again, our jaws dropped.

Fast-forward seven months later, a week before Easter, a man pulled up the driveway in a pickup truck. It was Saturday, late morning. My dad was on the tractor mowing the lawn. My mom answered the door. I tiptoed towards the door to overhear the conversation. The man explained that he had bought the old house behind ours - the abandoned house. He had been away, selling his old house. He came back to find tools and supplies stolen and his car trashed.
“Oh, no!” said my mom.
“Have you happened to see or hear anything?” he asked.
“No. But I’ll ask my boys if they have.” I tipped toed back to the family room couch as fast as I could. I pretended to read a magazine as my mom entered.
            “Liam, know anything about the old Campbell house?”
            “What house?”
            “The old house in the back.”
            “No.”
            “Apparently, it was broken into and there was some vandalism.”
            “Really?” I looked up with surprise.
            “Yeah. Don’t you go back there.”
            “Ok. We haven’t.”
            My mom walked back to the door and I was tempted to tiptoe back to the door. After a few minutes, the door closed and a moment later. He rolled by in his car. I peeked over the back of the couch that sat in the bay window just ten yards from the driveway. For a moment, our eyes connected. A flash of recognition in his eyes and I knew I had become suspect number one.

Later that evening in the middle of dinner, there was another knock at the door. My dad answered the door as the three of us sat uneasily at the dinner table. My mom eyed us with growing suspicion as we averted our eyes from hers. Billy and Colin looked to me. And without saying a word, we all knew we were in trouble.
            “Liam, is there something you want to tell us about the old Campbell house out back?”
            I hesitated as tears swelled in my eyes.
“Liam, come here!” my dad yelled from across the house.
Floodgates as I burst into heaving sobs at the table. “Alright we did it! We did it! But we weren’t alone. The Travelli’s trashed the car.” I threw the Travelli boys under the bus as fast as possible, hoping to save us from the infamous wooden spoon spanking... or worse.
            “Liam, come here and speak to this gentleman.” My dad’s strained attempt at an even tone scared me. I could tell as soon as the man left that I was in for it.
            The man explained how he had taken a walk and discovered our two story fort made of his wood and housing his tools. I confessed to taking the wood with the lame excuse that we thought the house was abandoned since we never saw anyone living there. I explained how the Travelli boys were wild and things got out of control with the truck and I apologized. We stood in silence for an awkward minute.  Again, I said I am sorry and didn’t know what else to say. I was actually relieved that the man seemed surprisingly sympathetic.
            My dad sent me to my room and they talked for a while longer. This was going to cost my dad - certainly more than my paltry savings account. I feared what was to happen to us. I was afraid my dad might beat us as soon as the man left - he had never hit us in our lives. In stoic fashion, my dad ignored us the rest of that night. In a way the silent treatment inflicted its own punishment: the fear of the unknown future that was to come.
Without any arguing, we went to church early the following Sunday morning. My father made us to go to confession after the service, something out of character for him, since he rarely went to mass and when he did, he never even had communion. We confessed to the priest and he gave us our penance. I left the church thinking that we had gotten off easy with a bunch of prayers.
            Instead of turning left at the bottom of the hill, we turned right towards town.
            “Ted, where are we going?” asked my mom.
            “I am taking our delinquent sons to jail.”
            “Ted…” my mom pleaded.
            “Better to learn their lesson now rather than later.”
            Billy started crying. I was in disbelief. We were going to jail. Billly's crying was contagious, spreading to young Colin and me.
           
            We sat in Chief Hughes’s office while my dad explained our crimes. My dad asked that we think about what we did in the holding cell. Chief Hughes explained that we were lucky that the man was not pressing charges; we had done enough damage to the truck that it could be considered a felony. So, at the age of eleven, seven, and four, the Sullivan Brothers like hardcore felons served time in Gates Mills jail - for about twenty minutes - but it seemed like a life sentence.